SpinnySpinny

I just spent the week at a conference where talk about threads and fiber had nothing to do with textiles. Aside from getting a bit of knitting done while waiting for things, nothing of note happened this week to talk about here. But there is some to catch up with, as I had to drop everything to get ready.

I pulled the sari silk fabric off the loom and it immediately twisted up. (Not shown in the non-image, above.) High-twist singles will do that, enough that sometimes a fabric just refuses to lie flat no matter what you do. (Narrow stuff is worse: less mass, less inertia, nothing to keep it in place. Wide fabrics may only curl at the corners.) I was able to mostly get this one under control by ironing, but it took a bit. I’m reconsidering my previous idea of cutting it apart for coasters, when it gets wet it will just curl up again. I suppose I could mount the pieces on sheets of cork, but covering up the back side makes it less of a weaving sample. So off it goes to the Textile Aging Vault while I contemplate.

While I was busy, my package of mystery weaving yarn arrived. I wasn’t able to pick it up from the mailbox until today. I bought 25 pounds of 8/2 mill end cotton, stuff that is generally used in industry for lightweight sweater knits. Some of the yarns are even waxed, a dead giveaway that it’s for machine knitting. I was able to include general color suggestions, so I’m fairly happy with the results but some is a bit odd. I asked for natural, white or pastels and specifically requested no orange. I hate orange, it makes me have nightmares about bad Halloween parties. I got a good amount of bleached white, several pastels and a dusty medium blue. There were other darker neutrals I’m not too thrilled about, like a really strange brown-green, but still colors that can be overdyed darker.

And then there was the large cone of that wonderfully subtle shade generally known as OSHA Orange. We’re talking serious highway safety here, my personal nightmare yarn color. The kind that makes people ask if they can use your deer cooler. I have absolutely no idea what I could do with this, the only things that immediately come to mind are hunting gag gifts and that’s a lot of work for a joke. The only dye that would cover up this monstrosity would be black. Maybe.

Everything is working fine with the loom, I’ve decided to weave one long strip of fabric and cut it apart for the coasters. The sari silk yarn is very textured, which tends to make the selvedges a little messy. In general, it’s weaving ok although once in a while I have to stop and untwist a snarl. It’s still a single. I’m using a stick shuttle (the only thing I have that will hold enough thick yarn) and doing a very narrow fabric, so I end up fiddling with the weft every pick anyway. I think for a wider fabric, I’d skein and set the twist again under high tension before weaving with it to reduce the tendency to snarl.

So with my first project on the loom, I can tell you one thing I’m not doing again is using all twelve harnesses for plain weave. I did it just to make sure everything was working correctly and get a feel for threading. But every shed is lifting six harnesses, along with all those extra heddles. That’s pretty heavy for no good reason.

The heddles are back on, I decided to only put 150 per harness because I had them already counted out in groups of 50. If I need more than 1800 heddles for something, I think I can go back and put them on. I think it will be a while before I get to that.

Of course, as soon as I got everything together, I had to warp something. That’s what I’ve been doing instead of updating the website. I had just enough on a tube of carpet warp to match some sari silk yarn. I’m planning to do some coasters, if it turns out well I’ll give a set to the guy I got the yarn from. He’s a local, and I’ve helped him out at a few shows.

And, now that the camera is better behaved, I have a picture!

It’s huge. After working with this, I know I’ve been correct all these years in turning down offers of 60 inch looms. This one is quite enough, thank you. Even trying to reach through twelve harnesses to thread the thing is entertaining. And to think I was looking for a 36 inch, 4 harness.

There are a few things to work out in the warping procedure, the first is to find some way to lock the beater in place for sleying. Trying to wrestle with yarn and sley hook while the reed keeps moving is no fun. My other Leclerc had this problem as well, I don’t know why there isn’t some standard way of dealing with it. And there is also the same old problem of getting wire heddles to move around when you want them. I can see I’m going to have to undo the clips that hold the heddle bars in place every time I thread this thing. Otherwise the heddles won’t move. Even after I tied on to the back, I was still trying to get the heddles in place so the warp lies straight. Fortunately, undoing the top clip is enough. I’d never get the bottom ones back on after threading.

Just because I have given up on getting this yarn done in time for the San Mateo County Fair, that doesn’t mean I’m not working on it. I finished spinning all the fiber I had prepped a few weeks ago, so now I’m back to flicking wool. I’ve been doing a lot of sorting and messy prep work on the kitchen floor, as it’s the easiest to clean. Flicking wool throws little bits of junk everywhere no matter how I try to contain in. I’m going to vacuum and mop in the morning anyway because we have guests coming over, so I figured this would be as good a time as any. The loom parts are put away for tomorrow.

While I was at the store the other day, I got some Ashland Bay top in two identical colorways of Merino and Merino/tussah. Again, everybody was shocked I bought something not natural color, but I’ve been branching out. I’m also coming to terms with commercial top and feel better about spinning it. I’d still much rather do all my own prep, but I’ve gotten better at spinning commercial top without too much reworking (as long as I’m not overly fussy about the results.) Since the two blends are the same except for fiber content, I had this idea to weave a twill block pattern with one in the warp and one in the weft. When you do this with two colors, you get some blocks more the warp color and others more the weft color. If the colors contrast enough, you get this shimmery op-art sort of effect.

The two yarns would differ only in sheen, the silk being reflective and the Merino matte. I haven’t tried anything like this before but the theory makes sense. At any rate, it should make nice fabric. It will be singles, and I’ll almost certainly do one with S twist and the other with Z. I’m not sure which, however, so I want to experiment with twist direction in another fiber first. I bought some discount (because it had some bad spots) brown Blue Faced Leicester top a few weeks ago for exactly that purpose.

I haven’t had much to say because most of it has been pretty dull. I’ll spare you the details of the not-family-friendly conversations I’ve had with the inkjet printer over alignment. I did some research at the library and worked on more writing. Oh, and I changed my jury service so I don’t have to go the week before I need to mail all this stuff off. Isn’t that thrilling?

I am doing some spinning at least, I got the fine textured cotton done, reeled a bobbin of silk (and glued another together into a sticky mess) and today I’m doing singles for a lofty cable yarn. That one is fairly mindless, a nice break. I’ve been warned that The Boyfriend might be coming home early from his business trip, I hope it’s not before I can vacuum up the fiber that’s all over the floor.